‏نمایش پست‌ها با برچسب Ctesiphon. نمایش همه پست‌ها
‏نمایش پست‌ها با برچسب Ctesiphon. نمایش همه پست‌ها

۱۳۹۵ شهریور ۱۳, شنبه

Sasanian Wall panel, Ctesiphon


Wall panel with wings and a Pahlavi device encircled by pearls; Sasanian, Ctesiphon, 6th A.D.

گچبری دیواری ساسانی که در کاخ تیسفون، پایتخت شاهنشاهی ساسانیان کار شده بود. ساخته شده در قرن ششم مسیحی که اکنون در موزه متروپولیتن نیویورک نگهداری میشود. البته از این طرح گچبری، چند نمونه دیگر که همه به همین شکل و مربوط به تیسفون میباشند، در موزه های مختلف جهان پیدا میشود.
آرم دانشگاه تهران که توسط آقای دکتر محسن مقدم طراحی شده بود، از همین گچبری الهام گرفته است.

Sasanian Wall panel, Ctesiphon 6th A.D.
The Metropolitan Museum of Art


Beginning in the 5th century, monograms became popular motifs used in the mold-made stucco wall panels that decorated the palaces and houses of the Sasanian elite, and many had symbolic meanings. This panel from the iwan (vaulted hall) of a large house at Umm ez-Za’tir, near the Taq-i Kisra at Ctesiphon, features a group of letters in the Persian script and a lunar crescent above symmetrical feathered wings and encircled by pearls: the motif very likely had protective significance. Half palmettes in the corners would have formed a complete design when this panel was placed within an arrangement with other similar ones. An identical panel is in Berlin in the Museum für Islamische Kunst, Staatliche Museen zu Berlin. more

۱۳۹۴ مرداد ۱۱, یکشنبه

CTESIPHON (Ṭīsfūn)

 

CTESIPHON (Ṭīsfūn), ancient city on the Tigris adjacent to the... #Parthian #Sasanian #Iranica


Ctesiphon served as a royal capital of the Iranian empire
in the 
Parthian and Sasanian eras for over eight hundred years.


See More / بیشتر بخوانید:

The Encyclopædia Iranica, Jens Kröger:

CTESIPHON (Ṭīsfūn), ancient city on the Tigris adjacent to the Hellenistic city of Seleucia, ca. 35 km south of the later site of Baghdad. The origin and meaning of the name is unknown (for the forms, see Honigmann, cols. 1102-03; Markwart, Provincial Capitals, pp. 60-61). In the Greek sources it appears as Ktēsiphôn, in Latin Ctesiphon/Ctesifon from the Greek and T(h)esifon or Et(h)esifon, reproducing lo­cal forms. In the Aramaic Talmud (ʾ)qṭyspwn (in Syriac qṭyspwn) occurs. From Iranian texts of the Sasanian period Manichean Parthian tyspwn (or *tysfwn; Henning, pp. 943-44), Pahlavi tyspwn, and Christian Sogdian tyspwn (Sims-Williams, pp. 144, 147-49; Yoshida) are attested. In Arabic texts the name is usually Ṭaysafūn. According to Yāqūt (III, p. 570, IV, p. 446), quoting Ḥamza, the original form was Ṭūsfūn or Tūsfūn, which was arabicized as Ṭaysafūn...

Jens Kröger (born April 21, 1942 in Magdeburg ) is a German art historian specializing in the field of Islamic art.
Growing up in Cairo and Tehran , Kröger first studied art history and classical archeology in Hamburg after graduating from high school in 1964 and went to Berlin in 1966 , where he studied art history, Islamic studies and Near Eastern archeology . In 1978 he received his doctorate with a thesis on Sassanian stucco . From 1985 to 2007 he was curator at the Museum of Islamic Art in Berlin.
  • Annette Hagedorn, Avinoam Shalem (Hrsg.): Facts and Artefacts. Art in the Islamic World. Festschrift for Jens Kröger on his 65th birthday. Brill, Leiden 2007, ISBN 978-90-04-15782-8.