۱۳۹۵ مرداد ۳۰, شنبه

Achaemenid Relief of a Gift Bearer


Achaemenid Relief of a Gift Bearer from Persepolis; Southern Iran, Persepolis, 500-450 B.C.

نقش یک مرد که هدیه‌ای به پیشگاه شاهنشاه هخامنشی میبرد با گلهای نیلوفر آبی در بالا، از مجموعه تخت جمشید که در بیست و پنج قرن پیش ساخته شده و هم اکنون در موزه هنر لوس آنجلس نگهداری میشود.

Achaemenid Relief, Persepolis; Southern Iran, 500-450 B.C.
LACMA

In this fragment from a larger relief, a man is depicted carrying a covered vessel. His dress suggests that he's a nobleman from Media, an area that stretches from present-day Turkey to Iran. The fragment was probably a part of the decorated staircase of Tachara, the private palace of Darius I the Great (reigned 521–486 B.C.). Built by Darius I, Tachara is one of the magnificent palaces located in the capital Persepolis (present-day Iran). The complex underwent a period of construction that stretched for over 60 years and is made up of numerous buildings situated on raised ground and platforms... more



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۱۳۹۵ مرداد ۲۸, پنجشنبه

BĪŠĀPŪR


BĪŠĀPŪR, ancient and medieval town in Fārs, in the Sasanian period... Iran.

شهر باستانی بیشاپور که در دوره ساسانیان به دستور شاپور اول شاهنشاه ساخته شده بود و هم اکنون خرابه هایش در نزدیکی کازرون در استان فارس قابل مشاهده است.

Sasanian ancient and medieval town in Fārs, BĪŠĀPŪR.

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The Encyclopædia Iranica: Edward J. Keall


BĪŠĀPŪR, ancient and medieval town in Fārs, in the Sasanian period the administrative center of one of the five districts in the province of Fārs. The name of the city derives from Middle Persian Bay-Šāpūr “Lord Šāpūr” (for a dis­cussion of the name see Sundermann, pp. 294-95). more



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Sasanian Mosaic of a woman playing the harp


Sasanian Mosaic of a woman playing the harp, Iran, Bishapur, palace of SHAPUR I (r.239-70).

 نقش بانوی چنگ نواز ساسانی بر روی موزاییکی از کاخ شاپور اول شاهنشاه ساسانی در بیشاپور، که هم اکنون در موزه لوور نگهداری میشود.

Sasanian Mosaic of a woman playing the harp, Iran, Bishapur.
Musée du Louvre


This mosaic panel, made of stone tesserae, shows a harpist. It was part of the decoration of the iwan of the "palace" of Shapur I at Bishapur, the new capital of the Sassanid Empire, built after the king's victories over Rome. Iranian heritage and Greco-Roman influences are combined in both the technique and the imagery (musician, interlacing, cubes). more

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۱۳۹۵ مرداد ۲۶, سه‌شنبه

Elamite Model of a temple


Model of a temple, made for the ceremony of the rising sun, 12th BC, Susa, Iran. (Louvre)


Elamite Model of a temple,  12th BC, Susa, Iran.


Model of a temple, called the Sit-shamshi, made for the ceremony of the rising sun 
12th century BC 
Tell of the Acropolis, Susa
Bronze


The Elamite inscription reads: “I, Shilhak-Inshushinak, son of Shutruk-Nahhunte, beloved manservant of Inshushinak, King of Anzan and Susa, enlarger of the kingdom, protector of Elam, have made a sunrise [sit-shamshi] in bronze. . . .”


https://twitter.com/iranologyscty/status/765571558639271936

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۱۳۹۵ مرداد ۲۳, شنبه

ČANG


Čang from Ketāb al-adwār

ČANG; In Persian literature, particularly in poetry, the harp kept an important place.

ČANG “harp” (Pahl. čang, mentioned in Xusrō ī Kawādān ud rēdag, pars. 62-63), a musical instrument of the free-stringed family. According to Schaeffner (p. 128) the harp stems from the bowstring used by hunters and warriors in prehistoric times. The string or gut fastened onto the hollow cane of the hunter’s bow vibrates when pulled, causing the cane to resonate. The oldest known harps are arched like a bow with a sound box added to the lower end... more

Ḥosayn-ʿAlī Mallāḥ
The Encyclopædia Iranica, ČANG

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۱۳۹۵ مرداد ۲۱, پنجشنبه

Parthian Figurine of a harp-player


Figurine of a harp-player (fragment); 3rd century BC-3rd century AD, Susa, Iran. (Louvre)

تندیس چنگ نواز مربوط به هنر اشکانی یا سلوکی که در شهر شوش پیدا شده و در قرن سوم قبل از مسیح تا قرن سوم مسیحی ساخته و هم اکنون در موزه لوور نگهداری میشود.

Parthian Figurine of a harp-player, Susa, Iran, 3rd c. BC - 3rd c. AD
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http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13924&langue=en

https://twitter.com/iranologyscty/status/763731378043097088


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۱۳۹۵ مرداد ۱۹, سه‌شنبه

به ياد کریستین بارتلمه


به ياد کریستین بارتلمه (Christian Bartholomae) زبان‌شناس و ایرانشناس آلمانی، در ۹ اوت ۱۹۲۵، از جهان درگذشت.

کریستین بارتلمه (Christian Bartholomae)
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The Encyclopædia Iranica: BARTHOLOMAE, CHRISTIAN
R. Schmitt: 

BARTHOLOMAE, CHRISTIAN, German scholar of Iranian and Indo-European studies (1855-1925).


1. Life. Bartholomae was born the son of a forester in Forst ob Limmersdorf (today Forstleithen near Limmersdorf), Upper Franconia, on 21 January 1855. After receiving his general education in Bayreuth he first studied the classical languages at Munich and Erlangen universities under, among others, Friedrich von Spiegel. Later he went to the University of Leipzig, at the time the undisputed center of linguistic studies, in order to study Sanskrit and comparative philology. more



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۱۳۹۵ مرداد ۱۵, جمعه

Pre-Achaemenid Spouted Bowl


Spouted Bowl with Handle; Northwestern Iran, 9th-7th B.C., Silver. (MIHO MUSEUM)


Pre-Achaemenid Spouted Bowl with Handle; Northwestern Iran, 9th-7th B.C.

برای دیدن عکسهای بیشتر و خواندن مطالبی درباره این اثر تاریخی به صفحه اصلی موزه میهو (پیوند زیر) مراجعه فرمایید.




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Prof. ASMUSSEN


ASMUSSEN, Jes Peter; scholar of Iranian studies (b. 2 Nov 1928; d. 5 Aug 2002).


ASMUSSEN, Jes Peter


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The Encyclopædia Iranica: ASMUSSEN, Jes Peter,
by: Werner Sundermann


ASMUSSEN, Jes Peter, scholar of Iranian studies (b. 2 November 1928, Aabenraa [Åbenrå], North Sleswig; d. 5 August 2002, Copenhagen). He is, after Arthur Christensen and Kaj Barr, the third great representative of the Danish school of Iranian studies, which in the 20th century made an essential contribution to the exploration of pre-Islamic Iranian cultural and political history. More than his predecessors, Asmussen took an interest in, and concentrated his work on, the entire range of religions in Iran from Zoroastrianism to Islam; but he mainly focused on Manicheism, the study of which was revolutionized during the 20th century under the impact of the discovery of a multitude of original sources. He also concentrated his work on Christianity in ancient Iran and Jewish Persian literature, an obvious option thanks to his previous theological training. more






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